In a 1993 project with the filmmaker Cheryl Dunye, the sharing was direct. The installation is ultra-austere, all white walls and window with a fiercely edited selection of photographs. Zoe Leonard creates sculptural installations such as strange fruit ( for David) ( fig. As a pictorial narrative — a film made from stills — the piece is a tour de force. An installation of dozens of sewn fruit skins scattered across the gallery floor not only recalls Ms. Leonard’s 1995 solo but also her life at the time. Dec 12, 2011 - Zoe Leonard-strange fruit (fruit with needles zippers buttons wax plastic hooks twine ) Katherine Hubbard is an interdisciplinary artist whose practice uses photography, performance, and text to explore the relationships between language, physical site, and political history. 2016 High Line Art, 'I want a president', New York NY Hauser & Wirth, 'In the Wake', New York NY. His work—which includes sculpture, installation, drawing, video, and photography—addresses the politics of representation. The Whitney show itself — organized by Bennett Simpson, a senior curator, with Rebecca Matalon of the Museum of Contemporary Art, Los Angeles, and Elisabeth Sherman of the Whitney — follows a linear route, but an elastic one, shaped in part by what’s left out. There wasn’t even a gallery attendant around to keep watch. Speakers include Gregg Bordowitz, Jonah Groeneboer, Katherine Hubbard, Fred Moten, Cameron Rowland, and Christian Scheidemann. Galerie Gisela Capitain, Cologne, and Hauser & Wirth, New York. His practice combines research and strategic contractual agreements with the presentation of objects selected for their socially illuminating value. Entitled Strange Fruit (for David), it was made from 1993 to 1998 by New York artist Zoe Leonard. Untitled photographs from an airplane window at Ms. Leonard’s retrospective, “Survey,” at the Whitney Museum. Zoe Leonard, Strange Fruit (For David), 1992–97, installation view, Whitney Museum of American Art, New York. Zoe Leonard’s Strange Fruit (1992–97) consists of some three hundred fruit skins – bananas, oranges, grapefruits, and lemons – consumed, then stitched back together by the artist with brightly coloured thread and wire. The number of suitcases corresponds to her current age. Zoe Leonard, Strange Fruit (for David) (detail), 1992-97 There is something sad and touching about emptied out fruit stitched back up in a futile attempt at mending. Physically, the show was, to say the least, modest. And the survey’s largest work, titled “You see I am here after all,” from 2008, takes repetition to an exhaustive extreme. Gregg Bordowitz is a writer, AIDS activist, and film- and videomaker. “You see I am here after all,” from 2008. [2] She has spent much of her adult life living in New York City, which has been the focus of much of her work. Since first assembling the piece in 2002, she’s been adding one a year, extending a theme of travel in her art — through memory, space, and time — into the future. your own Pins on Pinterest Zoe Leonard’s “Strange Fruit” (1992-97), an installation of dozens of discarded and sewn fruit skins at the Whitney Museum of American Art. answered Nov 5 by kmtaylor. Elisabeth Sherman, assistant curator, moderates the conversation. Only when you see the “Analogue” images over their entire span do you begin to hear the expressive score they’re set to: a slow, plangent bass note. In Kassel, Germany, as a participant in Documenta, she designed an installation for one of that city’s venerable fine arts museum. 1961) sewed together skins of fruit. Materials she uses in sculptures and installations — suitcases, fruit skins, vintage postcards — comes with prior, but unknown histories, creating intricate traffic patterns between present and past in her work. I want a president that had an abortion at sixteen and I want a candidate who isn’t the lesser of two evils and I want a president who lost their last lover to aids, who still sees that in their eyes every time they lay down to rest, who held their lover in their arms and knew they were dying. | eBay! In fact, Fae Richards is an invented character. Apr 22, 2015 - Explore Pedro's board "Zoe Leonard", followed by 537 people on Pinterest. ZOE LEONARD: It’s a new body of work for the show in September. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. Displayed in serial grids and organized into 25 chapters, Analogue documents the eclipsed texture of 20th-century urban life as seen in vanishing mom-and-pop stores and the simultaneous emergence of the global rag trade. This stuff on the wall right now is probably what I would call the heart of the work. Not that there was much to steal. They’re just family photos. And, although her “life” is more than plausible, Ms. Leonard’s documentation of it, on display at the Whitney, is entirely staged. Strange Fruit accompanies Zoe Leonard's exhibition of the same name at the Paula Cooper Gallery. If Ms. Leonard has strong ideas or feelings about this, they aren’t spelled out in individual pictures. Some of us ask similar questions about photography in the era of smartphones. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. Leonard chose not to preserve the resulting work, Strange Fruit, (1992–1997), intending for its decay to be on view. Or just simply enjoy the beauty of projecting the slides. At 15, she dropped out of school and started taking photographs. Wilted Flowers Strange Fruit Philadelphia Museum Of Art Vanitas Strange Fruit Philadelphia Museum Of Art Vanitas She was a vocal AIDS activist and this work recalls the death of her friend David Wojnarowicz. Jun 27–Aug 30, 2015. That mood is hard to recapture in as public a setting as the Whitney, but “Zoe Leonard: Survey” comes very close. Zoe Leonard was born in 1961 in Liberty, New York, the daughter of a Polish refugee, and grew up in New York City. Ms. Leonard’s work felt like a tight-lipped lament. See more ideas about Zoe, Leonard, Leonards photography. system. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. Then in 2016 it went big time. 0 votes. The Susan and John Hess Family Theater is equipped with an induction loop and infrared assistive listening Installation view of Zoe Leonard: Survey, November 11, 2018–March 25, 2019 at The Geffen Contemporary at MOCA, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Brian Forrest. The Cooper show wasn’t in a gallery; it was in Ms. Leonard’s studio, an old two-room walk-up on the Lower East Side. Notably but unavoidably absent, for example, is a 1992 piece that put Ms. Leonard on the international map. Artist Zoe Leonard displays her work Strange Fruit at the Whitney, and discusses its themes of mortality and discrimination with the Brooklyn Rail. A series of 1990 photographs, shot in medical museums, of anatomical wax models of women, seems to have laid the groundwork for the Kassel piece. It begins: “I want a dyke for president,” and continues: I want someone with no health insurance and I want someone who grew up in a place where the earth is so saturated with toxic waste that they didn’t have a choice about getting leukemia. 11.11.2018 – 25.3.2019. Floor 3, Susan and John Hess Family Gallery and Theater Over five years, Zoe Leonard (b. The annual Pride March floods 5 th Avenue, and devotes a moment of silence to members of the community lost to AIDs and discrimination. Discover (and save!) Zoe Leonard’s work includes sculpture and installation, much of it politically driven, but she is primarily a photographer who discards technical questions in favor of a more experiential approach to images and media. For increasing numbers of digital shutterbugs, reality is not real unless it is photographed. Fred Moten is a writer and scholar focused in black studies, performance studies, poetics, and critical theory. Installation view of Zoe Leonard (b. 1961) sewed together skins of fruit. Zoe Leonard (born 1961) is an American artist who works primarily with photography and sculpture. The exhibition Strange Fruit began as a means of consolation for the artist after the death of a friend, but now presents a wide range of possible readings, including a meditation on loss and mortality. Zoe Leonard (born 1961) is an American artist who works primarily with photography and sculpture. AIDS was stalking the city; an immigrant neighborhood was gentrifying; the art world was on the edge of a huge shift: the first Armory Show had debuted the year before. Label: Strange Fruit began as a means of consolation for the artist after the death of a friend, but now presents a wide range of possible readings, including a meditation on loss and mortality. The stack of books in a 2016 sculpture called “Tipping Point” is just a stack of books until you see that they’re all the same book, James Baldwin’s 1963 eschatological tract, “The Fire Next Time.” Suddenly, the stack becomes an exclamation point: Read this! “For me photography is intrinsically about observation,” Leonard has said. Members: please log in to reserve tickets. Analogue, by Zoe Leonard (American, b. The work was made in the 2017 Galerie Gisela Capitain, 'Misia, Postwar', Cologne, Germany. Floor 3, Susan and John Hess Family Gallery and Theater. A series of pictures called “The Analogue Portfolio,” dated 1998-2009 — and made with a now-discontinued dye-transfer process — records the facades of small storefront shops on the Lower East Side, and in countries she’s visited: Cuba, Mexico, Uganda. I’m glad she makes us linger, makes us ask “what’s going on here?” And I’m glad her survey ends with personal images rescued from the past. The artist laid the old ones on her studio floor and photographed them, small and distant, from above, to make new pictures in which a still just-reachable past and a speeding-by present are united: both precious, both keepers. Leonard’s work was forged in the crucible of the AIDS crisis, whose devastating effects she experienced first-hand, as the disease rampaged through New York’s gay community, and beyond. Zoe Leonard (born 1961) is an American artist who works primarily with photography and sculpture. Image courtesy the Philadelphia Museum of Art. Many of her photographs carry two dates: the year the picture was shot and the year, as much as a decade later, when it was printed. Evidence of her investment tends to lie in how she returns to a subject or theme. A twisting river gleams like a vein of silver; a vast city looks as dark and indistinct as a swatch of nubby fabric. An installation of suitcases, in different shades of blue, are lined up across the gallery floor forming a sculpture titled “1961,” the year Ms. Leonard was born in New York. Some shows cast a spell you don’t forget. A few unframed black-and-white photographs dotted the walls: one of a bare city tree, another of a woman’s tousled head seen from behind, a third of graffiti reading “Gay + Proud + Dead.” The windowsills and a long shelf were lined with empty, wizened fruit skins, each stitched closed with needle and thread. Most were taken in midair: shots of clouds from airplane windows, aerial views of sea and earth far below. And her spare, reverberant retrospective now at the Whitney Museum of American Art time-traveled me straight back to it. Chances are their equivalents elsewhere are too. In addition to the photographs, Leonard’s project Strange Fruit includes fruit skins stitched together after the pulp has been removed (Philadelphia Museum of Art). Strange Fruit speaks to fragility, to impermanence, but also to agency, and to the refusal to do nothing even when it seems there is nothing to be done. Zoe Leonard, Anthony Meier Fine Arts, San Francisco, CA (solo) 2014 Green Lankton, LOVE ME, Participant Inc., New York, NY The Sea. It is photographs of photographs of my mom’s family in the period of time before, during, and after the Second World War. She dedicated that show to the artist David Wojnarowicz, a close friend who had died of complications from AIDS in 1992. My first significant encounter with Leonard’s work was during the 2014 Whitney Biennial, the last to be held in the museum’s former location on Seventy-Fifth Street. Many of the New York shops she shot a decade and more ago are now gone, wiped out by high rents and globalization. It reveals this artist to be not only a gifted storyteller, but a virtuoso of photographic technology. The title quotes a handwritten message found on one of the cards, a little message of triumph felt at a “here” reached. And I had it to myself. 10.21) from materials. It has not been seen publicly since 2001. He has lectured and published extensively on conservation and the meaning of material and process in contemporary art. In the run-up to the election it was posted billboard-size on the High Line, not far from the Whitney, and became a social media hit. Yet you have to wonder, in the context of all this mass-produced sameness, how personal that “here” can feel. Without some equivalent of its shock-effect gesture in the Whitney, there’s a danger that a visitor might miss the activist impulse in Ms. Leonard’s art, but it’s absolutely there. It sometimes suggests the point-and-shoot blankness of tourist photography. Ms. Dunye was working on a film called “Watermelon Woman,” partly about the life of a black lesbian Hollywood actress named Fae Richards, whose career had been thwarted by racism. Zoe Leonard’s Messages Strike Hard — and Cast a Spell. During the same period, Leonard reconstituted a tree that had been cut up outside, developing an elaborate process of preserving dried leaves in order to attach them to the branches ( Secession: Zoe Leonard , p.21). Zoe Leonard Strange Fruit. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. The survey’s largest work, “You see I am here after all” (2008), consists of nearly 4,000 souvenir postcard views of Niagara Falls arranged on the wall as a giant, gridded collage. Visit exhibition He is the Director of the Low-Residency MFA Program at the School of the Art Institute of Chicago and is on the faculty of the Whitney’s Independent Study Program. Zoe Leonard’s Strange Fruit (1992–97) consists of some three hundred fruit skins – bananas, oranges, grapefruits, and lemons – consumed, then stitched back together by the artist with brightly coloured thread and wire. Photograph by Graydon Wood, A 30-second online art project: Which means that unmediated modes of seeing — of seeing art, among other things — are becoming obsolete. The piece consists of nearly 4,000 souvenir postcard views of Niagara Falls arranged on the wall as a giant, gridded collage, with tiny modifications in otherwise identical scenes indicating advances over time in printing technology and color photography. Visit the Frank Lloyd Wright–designed Guggenheim Museum in NYC, part of a UNESCO World Heritage Site. 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